For this split dogsimada and maru agreed on a time table as the score for the compositions.
The lengths of the pieces and pauses were determined by chance operations.
Nothing else was known. They composed their music without knowing each others work.
The time table was the only "connection".
You can hear dogsimada on the left and maru on the right channel.

This split deals with madness and insanity.

Limited edition of 10 handnumbered copies in card sleeves.
Or an unlimited standard edition in jewel cases (since the limited edition will be sold out in no time).

Listen to a few samples:

I Fell Into There Dead - Gedämpftes Saitenspiel

Convert - Der Ton

Handgun - Der Tod

"Static pulse, hollow satellite song, behold musicality of anotehr universe
or lifetime, let yourself sleep and bear witness to the new state of being,
dark it is but calling your name, don't be afraid to sleep to new lullabies.
Overall quiet, a sound-noisescape weaving iwth stretches of subtle
musicality and fiddled-with samples. This are a kind of experimental musings
I can float in. It's got more edge than some softer noise/experimental but
for those not afraid of the dark (since dark=evil is NOT true ...) can find
rest here for a time. Be adrift, let the combined forces of Dogsimada and
Marufura Fufunjiru work their strange magic on you. The beauty is how it's
done. Dogsimada's work fills the left channel and M.F. takes the right
channel. The result is a unique approach to achieving a layered work of
fairly chilled avant garde."
Review by FishComCollective


One of the things that I enjoy most doing, is listening to the
attempts of musicians to create a different, and interesting atmosphere. 
That becomes harder throughout the years, why? You ask? 
Well, we, as human beings, aspire for more, and that results in
an effort to create new things, or re-invent existing things, so
we wont repeat ourselves or step into certain rubrics or Paradigms. 
So we’re constantly on a quest to renew and experiment. 
Some of which is expressed in propitiation of the moment, andsome in simple forward thinking, 
I would define a musician as something of a chemist, trying to
combine different molecules, and different ingredients in
creating now compound, which has all-new characteristics, such s color, odor, and flavor. 
The avant-garde musician I would define as an alchemist, using
materials that seem or may be defined as worthless or
incomprehensible, turning them into a new, interesting musical product, with real worth and importance. 
On many occasions such artists use minimalist or extremely complex album covers, 
In this came I came across such an interesting album that too
many descriptions will only do it injustice- 
The album is extremely experimental and unique, using a concept
that is the broadest sense of the definition of the stereophonic dimension, 
The sounds that come through the right speaker exist there only,
and the sound from the left just in it. 

What’s new? You ask? 

Well, this is a split album of two experimental music artists:
Dogsimada and marufura fufunjiru, both highly respected for their unique, uncompromising music. 
Here they joined forces in order to create an album which will
contain both their compositions when played in unison, in full
synchronicity, thus creating an amazing piece of music,
Dogsimada is played in the left channel while Marufura is played in the right. 
An truly spectacular symbiosis between the two artists is
created, dissimilar to any split album ever created, each artist
actually playing a complete album on one side of the stereo.. 
The pieces themselves move from very noisy power noise to
relaxed dark ambient and some drone bits as well. 
Describing the thing is extremely difficult, there’s no
substitute to listening to the thing. 
Take my advice, listen to this, its hard to remain oblivious to
it, its both interesting and challenging. 
Review by Alternative-zine